HOWARDS END
Chapter 37
Margaret bolted the door on the inside. Then she would have kissed her
sister, but Helen, in a dignified voice, that came strangely from her,
said:
"Convenient! You did not tell me that the
books were unpacked. I have found nearly everything that I
want.
"I told you nothing that was
true."
"It has been a great surprise,
certainly. Has Aunt Juley been ill?"
"Helen,
you wouldn't think I'd invent that?"
"I suppose not,"
said Helen, turning away, and crying a very little. "But one loses faith
in everything after this."
"We thought it was
illness, but even then--I haven't behaved
worthily."
Helen selected another
book.
"I ought not to have consulted anyone.
What would our father have thought of me?"
She did
not think of questioning her sister, nor of rebuking her. Both might be
necessary in the future, but she had first to purge a greater crime than any
that Helen could have committed--that want of confidence that is the work of the
devil.
"Yes, I am annoyed," replied Helen. "My
wishes should have been respected. I would have gone through this meeting
if it was necessary, but after Aunt Juley recovered, it was not necessary.
Planning my life, as I now have to do--"
"Come away
from those books," called Margaret. "Helen, do talk to
me."
"I was just saying that I have stopped living
haphazard. One can't go through a great deal of"--she missed out the
noun--"without planning one's actions in advance. I am going to have a
child in June, and in the first place conversations, discussions, excitement,
are not good for me. I will go through them if necessary, but only
then. In the second place I have no right to trouble people. I
cannot fit in with England as I know it. I have done something that the
English never pardon. It would not be right for them to pardon it.
So I must live where I am not known."
"But why didn't
you tell me, dearest?"
"Yes," replied Helen
judicially. "I might have, but decided to
wait."
" I believe you would never have told
me."
"Oh yes, I should. We have taken a flat in
Munich."
Margaret glanced out of
window.
"By 'we' I mean myself and Monica. But
for her, I am and have been and always wish to be
alone."
"I have not heard of
Monica."
"You wouldn't have. She's an
Italian--by birth at least. She makes her living by journalism. I
met her originally on Garda. Monica is much the best person to see me
through."
"You are very fond of her,
then."
"She has been extraordinarily sensible with
me."
Margaret guessed at Monica's type--"Italiano
Inglesiato" they had named it: the crude feminist of the South, whom one
respects but avoids. And Helen had turned to it in her
need!
"You must not think that we shall never
meet," said Helen, with a measured kindness. "I shall always have a room
for you when you can be spared, and the longer you can be with me the
better. But you haven't understood yet, Meg, and of course it is very
difficult for you. This is a shock to you. It isn't to me, who have
been thinking over our futures for many months, and they won't be changed by a
slight contretemps, such as this. I cannot live in
England."
"Helen, you've not forgiven me for my
treachery. You couldn't talk like this to me if you
had."
"Oh, Meg dear, why do we talk at all?"
She dropped a book and sighed wearily. Then, recovering herself, she said:
"Tell me, how is it that all the books are down
here?"
"Series of
mistakes."
"And a great deal of the furniture has
been
unpacked."
"All."
"Who
lives here, then?"
"No
one."
"I suppose you are letting it
though--"
"The house is dead," said Margaret with a
frown. "Why worry on about it?"
"But I am
interested. You talk as if I had lost all my interest in life. I am
still Helen, I hope. Now this hasn't the feel of a dead house. The
hall seems more alive even than in the old days, when it held the Wilcoxes' own
things."
"Interested, are you? Very well, I
must tell you, I suppose. My husband lent it on condition we--but by a
mistake all our things were unpacked, and Miss Avery, instead of--" She
stopped. "Look here, I can't go on like this. I warn you I
won't. Helen, why should you be so miserably unkind to me, simply because
you hate Henry?"
"I don't hate him now," said
Helen. "I have stopped being a schoolgirl, and, Meg, once again, I'm not
being unkind. But as for fitting in with your English life--no, put it out
of your head at once. Imagine a visit from me at Ducie Street! It's
unthinkable."
Margaret could not contradict
her. It was appalling to see her quietly moving forward with her plans,
not bitter or excitable, neither asserting innocence nor confessing guilt,
merely desiring freedom and the company of those who would not blame her.
She had been through--how much? Margaret did not know. But it was
enough to part her from old habits as well as old
friends.
"Tell me about yourself," said Helen, who
had chosen her books, and was lingering over the
furniture.
"There's nothing to
tell."
"But your marriage has been happy,
Meg?"
"Yes, but I don't feel inclined to
talk."
"You feel as I
do."
"Not that, but I
can't."
"No more can I. It is a nuisance, but
no good trying."
Something had come between
them. Perhaps it was Society, which henceforward would exclude
Helen. Perhaps it was a third life, already potent as a spirit. They
could find no meeting-place. Both suffered acutely, and were not comforted
by the knowledge that affection survived.
"Look here,
Meg, is the coast clear?"
"You mean that you want to
go away from me?"
"I suppose so--dear old lady!
it isn't any use. I knew we should have nothing to say. Give my love
to Aunt Juley and Tibby, and take more yourself than I can say. Promise to
come and see me in Munich later."
"Certainly,
dearest."
"For that is all we can
do."
It seemed so. Most ghastly of all was
Helen's common sense: Monica had been extraordinarily good for
her.
"I am glad to have seen you and the
things." She looked at the bookcase lovingly, as if she was saying
farewell to the past.
Margaret unbolted the
door. She remarked: "The car has gone, and here's your
cab."
She led the way to it, glancing at the leaves
and the sky. The spring had never seemed more beautiful. The driver,
who was leaning on the gate, called out, "Please, lady, a message," and handed
her Henry's visiting-card through the bars.
"How did
this come?" she asked.
Crane had returned with it
almost at once.
She read the card with
annoyance. It was covered with instructions in domestic French. When
she and her sister had talked she was to come back for the night to
Dolly's. "Il faut dormir sur ce sujet." While Helen was to be found "une
comfortable chambre à l'hôtel." The final sentence displeased her greatly until
she remembered that the Charles' had only one spare room, and so could not
invite a third guest.
"Henry would have done what he
could," she interpreted.
Helen had not followed her
into the garden. The door once open, she lost her inclination to
fly. She remained in the hall, going from bookcase to table. She
grew more like the old Helen, irresponsible and
charming.
"This is Mr. Wilcox's house?" she
inquired.
"Surely you remember Howards
End?"
"Remember? I who remember
everything! But it looks to be ours now."
"Miss
Avery was extraordinary," said Margaret, her own spirits lightening a
little. Again she was invaded by a slight feeling of disloyalty. But
it brought her relief, and she yielded to it. "She loved Mrs. Wilcox, and
would rather furnish her house with our things than think of it empty. In
consequence here are all the library
books. "
"Not all the books. She hasn't
unpacked the Art Books, in which she may show her sense. And we never used
to have the sword here."
"The sword looks well,
though."
"Magnificent."
"Yes,
doesn't it?"
"Where's the piano,
Meg?"
"I warehoused that in London.
Why?"
"Nothing."
"Curious,
too, that the carpet fits."
"The carpet's a mistake,"
announced Helen. "I know that we had it in London, but this floor ought to
be bare. It is far too beautiful."
"You still
have a mania for under-furnishing. Would you care to come into the
dining-room before you start? There's no carpet
there.
They went in, and each minute their talk
became more natural.
"Oh, what a place for
mother's chiffonier!" cried Helen.
"Look at the
chairs, though."
"Oh, look at them! Wickham
Place faced north, didn't
it?"
"North-west."
"Anyhow,
it is thirty years since any of those chairs have felt the sun.
Feel. Their little backs are quite warm."
"But
why has Miss Avery made them set to partners? I shall
just--"
"Over here, Meg. Put it so that any one
sitting will see the lawn."
Margaret moved a
chair. Helen sat down in it.
"Ye-es. The
window's too high."
"Try a drawing-room
chair."
"No, I don't like the drawing-room so
much. The beam has been match-boarded. It would have been so
beautiful otherwise. "
"Helen, what a memory you
have for some things! You're perfectly right. It's a room that men
have spoilt through trying to make it nice for women. Men don't know what
we want--"
"And never
will."
"I don't agree. In two thousand years
they'll know."
"But the chairs show up
wonderfully. Look where Tibby spilt the
soup."
"Coffee. It was coffee
surely."
Helen shook her head.
"Impossible. Tibby was far too young to be given coffee at that
time."
"Was Father
alive?"
"Yes."
"Then
you're right and it must have been soup. I was thinking of much
later--that unsuccessful visit of Aunt Juley's, when she didn't realize that
Tibby had grown up. It was coffee then, for he threw it down on
purpose. There was some rhyme, 'Tea, coffee--coffee, tea,' that she said
to him every morning at breakfast. Wait a minute--how did it
go?"
"I know--no, I don't. What a detestable
boy Tibby was!"
"But the rhyme was simply
awful. No decent person could have put up with
it."
"Ah, that greengage tree," cried Helen, as if
the garden was also part of their childhood. "Why do I connect it with
dumbbells? And there come the chickens. The grass wants
cutting. I love yellow-hammers--"
Margaret
interrupted her. "I have got it," she announced.
'Tea, tea, coffee, tea,
Or chocolaritee.'
"That every morning for three weeks. No wonder
Tibby was wild."
"Tibby is moderately a dear now,"
said Helen.
"There! I knew you'd say that in
the end. Of course he's a dear."
A bell
rang.
"Listen! what's
that?"
Helen said, "Perhaps the Wilcoxes are
beginning the siege."
"What
nonsense--listen!"
And the triviality faded from
their faces, though it left something behind--the knowledge that they never
could be parted because their love was rooted in common things.
Explanations and appeals had failed; they had tried for a common meeting-ground,
and had only made each other unhappy. And all the time their salvation was
lying round them--the past sanctifying the present; the present, with wild
heart-throb, declaring that there would after all be a future, with laughter and
the voices of children. Helen, still smiling, came up to her sister.
She said, "It is always Meg." They looked into each other's eyes. The
inner life had paid.
Solemnly the clapper
tolled. No one was in the front. Margaret went to the kitchen, and
struggled between packing-cases to the window. Their visitor was only a
little boy with a tin can. And triviality
returned.
"Little boy, what do you
want?"
"Please, I am the
milk."
"Did Miss Avery send you?" said Margaret,
rather sharply.
"Yes,
please."
"Then take it back and say we require no
milk." While she called to Helen, "No, it's not the siege, but possibly an
attempt to provision us against one."
"But I like
milk," cried Helen. "Why send it away?"
"Do
you? Oh, very well. But we've nothing to put it in, and he wants the
can."
"Please, I'm to call in the morning for the
can," said the boy.
"The house will be locked up
then."
"In the morning would I bring eggs,
too?"
"Are you the boy whom I saw playing in the
stacks last week?"
The child hung his
head.
"Well, run away and do it
again."
"Nice little boy," whispered Helen. "I
say, what's your name? Mine's
Helen."
"Tom."
That was
Helen all over. The Wilcoxes, too, would ask a child its name, but they
never told their names in return.
"Tom, this one here
is Margaret. And at home we've another called
Tibby."
"Mine are lop-eared," replied Tom, supposing
Tibby to be a rabbit.
"You're a very good and rather
a clever little boy. Mind you come again.--Isn't he
charming?"
"Undoubtedly," said Margaret. "He is
probably the son of Madge, and Madge is dreadful. But this place has
wonderful powers."
"What do you
mean?"
"I don't
know."
"Because I probably agree with
you."
"It kills what is dreadful and makes what is
beautiful live."
"I do agree," said Helen, as she
sipped the milk. "But you said that the house was dead not half an hour
ago."
"Meaning that I was dead. I felt
it."
"Yes, the house has a surer life than we, even
if it was empty, and, as it is, I can't get over that for thirty years the sun
has never shone full on our furniture. After all, Wickham Place was a
grave. Meg, I've a startling idea."
"What is
it?"
"Drink some milk to steady
you."
Margaret
obeyed.
"No, I won't tell you yet," said Helen,
"because you may laugh or be angry. Let's go upstairs first and give the
rooms an airing."
They opened window after window,
till the inside, too, was rustling to the spring. Curtains blew,
picture-frames tapped cheerfully. Helen uttered cries of excitement as she
found this bed obviously in its right place, that in its wrong one. She
was angry with Miss Avery for not having moved the wardrobes up. "Then one
would see really." She admired the view. She was the Helen who had written
the memorable letters four years ago. As they leant out, looking westward,
she said: "About my idea. Couldn't you and I camp out in this house for
the night?"
"I don't think we could well do that,"
said Margaret.
"Here are beds, tables,
towels--"
"I know; but the house isn't supposed to be
slept in, and Henry's suggestion was--"
"I require no
suggestions. I shall not alter anything in my plans. But it would
give me so much pleasure to have one night here with you. It will be
something to look back on. Oh, Meg lovey, do
let's!"
"But, Helen, my pet," said Margaret, "we
can't without getting Henry's leave. Of course, he would give it, but you
said yourself that you couldn't visit at Ducie Street now, and this is equally
intimate."
"Ducie Street is his house. This is
ours. Our furniture, our sort of people coming to the door. Do let
us camp out, just one night, and Tom shall feed us on eggs and milk. Why
not? It's a moon."
Margaret hesitated. "I
feel Charles wouldn't like it," she said at last. "Even our furniture
annoyed him, and I was going to clear it out when Aunt Juley's illness prevented
me. I sympathize with Charles. He feels it's his mother's
house. He loves it in rather an untaking way. Henry I could answer
for--not Charles."
"I know he won't like it," said
Helen. "But I am going to pass out of their lives. What difference
will it make in the long run if they say, 'And she even spent the night at
Howards End'?"
"How do you know you'll pass out of
their lives? We have thought that twice
before."
"Because my
plans--"
"--which you change in a
moment."
"Then because my life is great and theirs
are little," said Helen, taking fire. "I know of things they can't know
of, and so do you. We know that there's poetry. We know that there's
death. They can only take them on hearsay. We know this is our
house, because it feels ours. Oh, they may take the title-deeds and the
doorkeys, but for this one night we are at home."
"It
would be lovely to have you once more alone," said Margaret. "It may be a
chance in a thousand."
"Yes, and we could talk." She
dropped her voice. "It won't be a very glorious story. But under
that wych-elm--honestly, I see little happiness ahead. Cannot I have this
one night with you?"
"I needn't say how much it would
mean to me."
"Then let
us."
"It is no good hesitating. Shall I drive
down to Hilton now and get leave?"
"Oh, we don't want
leave."
But Margaret was a loyal wife. In spite
of imagination and poetry--perhaps on account of them--she could sympathize with
the technical attitude that Henry would adopt. If possible, she would be
technical, too. A night's lodging--and they demanded no more--need not
involve the discussion of general
principles.
"Charles may say no," grumbled
Helen.
"We shan't consult
him."
"Go if you like; I should have stopped without
leave."
It was the touch of selfishness, which was
not enough to mar Helen's character, and even added to its beauty. She
would have stopped without leave, and escaped to Germany the next morning.
Margaret kissed her.
"Expect me back before
dark. I am looking forward to it so much. It is like you to have
thought of such a beautiful thing."
"Not a thing,
only an ending," said Helen rather sadly; and the sense of tragedy closed in on
Margaret again as soon as she left the house.
She was
afraid of Miss Avery. It is disquieting to fulfil a prophecy, however
superficially. She was glad to see no watching figure as she drove past
the farm, but only little Tom, turning somersaults in the straw.