The Country House
CHAPTER X
AT BLAFARD'S
There comes now and then to the surface of our modern civilisation one of
those great and good men who, unconscious, like all great and good men, of
the goodness and greatness of their work, leave behind a lasting memorial
of themselves before they go bankrupt.
It was so with the founder of the Stoics' Club.
He came to the surface in the year 187-, with nothing in the world but his
clothes and an idea. In a single year he had floated the Stoics'
Club, made ten thousand pounds, lost more, and gone down again.
The Stoics' Club lived after him by reason of the immortal beauty of
his idea. In 1891 it was a strong and corporate body, not perhaps quite so
exclusive as it had been, but, on the whole, as smart and aristocratic as
any club in London, with the exception of that one or two into which
nobody ever got. The idea with which its founder had underpinned the
edifice was, like all great ideas, simple, permanent, and perfect—so
simple, permanent, and perfect that it seemed amazing no one had ever
thought of it before. It was embodied in No. 1 of the members'
rules:
“No member of this club shall have any occupation whatsoever.”
Hence the name of a club renowned throughout London for the excellence of
its wines and cuisine.
Its situation was in Piccadilly, fronting the Green Park, and through the
many windows of its ground-floor smoking-room the public were privileged
to see at all hours of the day numbers of Stoics in various attitudes
reading the daily papers or gazing out of the window.
Some of them who did not direct companies, grow fruit, or own yachts,
wrote a book, or took an interest in a theatre. The greater part eked out
existence by racing horses, hunting foxes, and shooting birds. Individuals
among them, however, had been known to play the piano, and take up the
Roman Catholic religion. Many explored the same spots of the Continent
year after year at stated seasons. Some belonged to the Yeomanry; others
called themselves barristers; once in a way one painted a picture or
devoted himself to good works. They were, in fact, of all sorts and
temperaments, but their common characteristic was an independent income,
often so settled by Providence that they could not in any way get rid of
it.
But though the principle of no occupation overruled all class
distinctions, the Stoics were mainly derived from the landed gentry. An
instinct that the spirit of the club was safest with persons of this class
guided them in their elections, and eldest sons, who became members almost
as a matter of course, lost no time in putting up their younger brothers,
thereby keeping the wine as pure as might be, and preserving that fine old
country-house flavour which is nowhere so appreciated as in London.
After seeing Gregory pass on the top of a bus, George Pendyce went into
the card-room, and as it was still empty, set to contemplation of the
pictures on the walls. They were effigies of all those members of the
Stoics' Club who from time to time had come under the notice of a
celebrated caricaturist in a celebrated society paper. Whenever a Stoic
appeared, he was at once cut out, framed, glassed, and hung alongside his
fellows in this room. And George moved from one to another till he came to
the last. It was himself. He was represented in very perfectly cut
clothes, with slightly crooked elbows, and race-glasses slung across him.
His head, disproportionately large, was surmounted by a black billycock
hat with a very flat brim. The artist had thought long and carefully over
the face. The lips and cheeks and chin were moulded so as to convey a
feeling of the unimaginative joy of life, but to their shape and
complexion was imparted a suggestion of obstinacy and choler. To the eyes
was given a glazed look, and between them set a little line, as though
their owner were thinking:
'Hard work, hard work! Noblesse oblige. I must keep it going!'
Underneath was written: “The Ambler.”
George stood long looking at the apotheosis of his fame. His star was high
in the heavens. With the eye of his mind he saw a long procession of turf
triumphs, a long vista of days and nights, and in them, round them, of
them— Helen Bellow; and by an odd coincidence, as he stood there,
the artist's glazed look came over his eyes, the little line sprang
up between them.
He turned at the sound of voices and sank into a chair. To have been
caught thus gazing at himself would have jarred on his sense of what was
right.
It was twenty minutes past seven, when, in evening dress, he left the
club, and took a shilling's-worth to Buckingham Gate. Here he
dismissed his cab, and turned up the large fur collar of his coat. Between
the brim of his opera-hat and the edge of that collar nothing but his eyes
were visible. He waited, compressing his lips, scrutinising each hansom
that went by. In the soft glow of one coming fast he saw a hand raised to
the trap. The cab stopped; George stepped out of the shadow and got in.
The cab went on, and Mrs. Bellew's arm was pressed against his own.
It was their simple formula for arriving at a restaurant together.
In the third of several little rooms, where the lights were shaded, they
sat down at a table in a corner, facing each a wall, and, underneath, her
shoe stole out along the floor and touched his patent leather boot. In
their eyes, for all their would-be wariness, a light smouldered which
would not be put out. An habitue, sipping claret at a table across the
little room, watched them in a mirror, and there came into his old heart a
glow of warmth, half ache, half sympathy; a smile of understanding stirred
the crow's-feet round his eyes. Its sweetness ebbed, and left a
little grin about his shaven lips. Behind the archway in the neighbouring
room two waiters met, and in their nods and glances was that same
unconscious sympathy, the same conscious grin. And the old habitue
thought:
'How long will it last?'.... “Waiter, some coffee and my
bill!”
He had meant to go to the play, but he lingered instead to look at Mrs.
Bellew's white shoulders and bright eyes in the kindly mirror. And
he thought:
'Young days at present. Ah, young days!'....
“Waiter, a Benedictine!” And hearing her laugh, O his old
heart ached. 'No one,' he thought, 'will ever laugh like
that for me again!'.... “Here, waiter, how's this? You've
charged me for an ice!” But when the waiter had gone he glanced back
into the mirror, and saw them clink their glasses filled with golden
bubbling wine, and he thought: 'Wish you good luck! For a flash of
those teeth, my dear, I'd give——'
But his eyes fell on the paper flowers adorning his little table—yellow
and red and green; hard, lifeless, tawdry. He saw them suddenly as they
were, with the dregs of wine in his glass, the spill of gravy on the
cloth, the ruin of the nuts that he had eaten. Wheezing and coughing,
'This place is not what it was,' he thought; 'I shan't
come here again!'
He struggled into his coat to go, but he looked once more in the mirror,
and met their eyes resting on himself. In them he read the careless pity
of the young for the old. His eyes answered the reflection of their eyes,
'Wait, wait! It is young days yet! I wish you no harm, my dears!'
and limping-for one of his legs was lame—he went away.
But George and his partner sat on, and with every glass of wine the light
in their eyes grew brighter. For who was there now in the room to mind?
Not a living soul! Only a tall, dark young waiter, a little cross-eyed,
who was in consumption; only the little wine-waiter, with a pallid face,
and a look as if he suffered. And the whole world seemed of the colour of
the wine they had been drinking; but they talked of indifferent things,
and only their eyes, bemused and shining, really spoke. The dark young
waiter stood apart, unmoving, and his cross-eyed glance, fixed on her
shoulders, had all unconsciously the longing of a saint in some holy
picture. Unseen, behind the serving screen, the little wine-waiter poured
out and drank a glass from a derelict bottle. Through a chink of the red
blinds an eye peered in from the chill outside, staring and curious, till
its owner passed on in the cold.
It was long after nine when they rose. The dark young waiter laid her
cloak upon her with adoring hands. She looked back at him, and in her eyes
was an infinite indulgence. 'God knows,' she seemed to say,
'if I could make you happy as well, I would. Why should one suffer?
Life is strong and good!'
The young waiter's cross-eyed glance fell before her, and he bowed
above the money in his hand. Quickly before them the little wine-waiter
hurried to the door, his suffering face screwed into one long smile.
“Good-night, madam; good-night, sir. Thank you very much!”
And he, too, remained bowed over his hand, and his smile relaxed.
But in the cab George's arm stole round her underneath the cloak,
and they were borne on in the stream of hurrying hansoms, carrying couples
like themselves, cut off from all but each other's eyes, from all
but each other's touch; and with their eyes turned in the half-dark
they spoke together in low tones.